FM 24-2
The spectrum management systems techniques and
procedures should allow control over the resources
available in that area of responsibility. The technique
should also provide the flexibility needed to match a
continually changing communications and electronics
environment.
A higher formation is responsible for coordination with
a lower formation/unit. A formation on the left is
responsible for coordinating boundary requirements with
the formation on the right. Frequency requirements of a
supported attached formation/unit will be provided by the
supported formation.
All staff levels of spectrum management will maintain
an accessible database so the signal staffs can execute their
portions of redeployment planning by their commanders.
Equipment characteristics should be registered and
current.
4-17. Theater Army
The theater Army, as the Army component command
of a US unified command, normally exercises command
and/or operational control over all US Army forces in the
theater before the outbreak of hostilities. The theater Army
provides communication services to Army elements and to
other services and agencies, and is responsible for
spectrum management of all subordinate Army
commands. The signal section performs frequency
planning, coordinates frequency use, and publishes
frequency information to subordinate commands. The
signal section also maintains frequency assignment
records, including a master list of frequency and call sign
allocations and assignments for the entire theater Army
area of operations.
At agreed on times during contingency operations,
selected and earmarked theater Army combat, combat
support, and combat service support units will be assigned
to Allied commands. Certain operational arrangements
will be set up based on the designated tactical
commander’s established priorities. Units in the theater
remain under theater Army command until they are
assigned to the operational control of the appropriate
command. These units could be assigned to a corps or they
could be retained by the theater Army. The spectrum
manager must be aware of the signal requirements for
in-theater forces and for forces that may arrive from
CONUS. These forces may augment combat, combat
support, and combat service support units of the corps.
Phase-in of these forces may be a smooth and efficient
process based on existing war plans. However, a phase-in
may be dictated by the present or anticipated combat
situation, resulting in unexpected spectrum requirements
for these additional forces and units.
It is possible that unplanned out-of-theater
reinforcements may be alerted to deploy with minimal
notification. Unit predeployment planning must include
early identification of operational needs and
electromagnetic spectrum requirements to allow the
theater signal office to respond to those needs as soon as
practicable.
The theater Army signal office retains the wartime
spectrum management responsibility for all EAC signal
support. It is responsible for managing spectrum resources
required to support all national administrative and logistic
communications that support each of those corps released
to the operational command of an Allied headquarters.
In the theater Army, EAC spectrum management is
done by the Frequency Management Office, Operations
Division, of the theater Army signal section. This branch is
responsible for summarizing the electromagnetic
requirements of all subordinate commands. The branch
then prepares the frequency allocation lists (FAL) which
are published as the frequency allocation and usage list of
the unified command. Thus, the branch performs
frequency planning, coordinates frequency use, and
publishes frequency information to subordinate
commands. The branch participates in frequency planning
with higher and lower commands and helps to ensure that
the policies and directives of higher commands are being
followed. The branch also maintains frequency allocation
records and a master list of frequency and call signs for
equipment organic to its unit. They also maintain the ability
to acquire rapidly the data they need from lower echelons
regarding frequencies and call signs. Each element and/or
echelon maintains a master list of frequencies and call signs
for equipment organic to its element and/or echelon and/or
area of operation.
4-18. Theater Signal Command (Army)
The Theater Signal Command (TSC) Army (A)
provides command and area communications coverage in
the communications zone (COMMZ), extending
communications from the theater rear boundary where
communications access points are established at area
signal centers. The TSC(A) commander is dual-hatted as
the theater Army signal officer.
In the standard command structure, the TSC(A) ranks
as a major subordinate command of the theater Army. In
turn, the TSC(A) apportions frequencies to other theater
Army subordinate commands for operations of the
TSC(A) managed theater communications systems.
4-15